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Beloved

empty the summer sky

o beloved

fill your coming and going

with soft purple shadows

 

empty the garden

my love

fling the rose’s scent skyward

fragrance is gone without you

 

empty your shoes

sweet

your tender soles

reluctant to leave me

 

empty your pockets

empty your hands

empty your arms

stay with me, beloved—stay

 

Pamela Olson, 8/29/10

 

For One Single Impression’s

prompt, “Empty”

Knitting

the needles are extensions

of finger bones

stripped of muscle and flesh

so the fingers can go soft

relaxed and calm

while the yarn is looped

and thrown over—around

the wooden fingers

feeling the wool stick

and slide

between needle and ball

tension:            friction:                        relaxation

over and under while the yarn

winds and loops

just a strand drawn from the ball

over and under

around

to become other

to become a creation

something new

from just a simple strand

 

Pamela Olson, 8/27/10

 

For Big Tent Poetry’s

prompt, “hands-on”

Hardness

they perished

in the seamless grass

carapace– bone

horn and teeth

only hardness left

 

the soil softly drinks

under layered oak leaves

and woven tendrils

roots and rhizomes

soft-footed fungi

 

to perish in this seamless field

to lie beneath blades of grass

a pensive eternal dream

in the company of those

who left their hardness here

 

Pamela Olson, 8/22/10

 

Based on a line from “The Complete Poems of

Emily Dickinson” edited by Thomas H. Johnson;

Poem #409, “they perished in the seamless grass”

 

For One Single Impression’s prompt,

“pensive”

A Taste for Honey

take the golden liquid from the jar

almost forgotten

behind the pickles and the summer squash

mellify me

 

spread the sweetness

across my scars and burns

erase my battles

mellify me

 

take my cool body

lost to the wonder

of mad honey

mellify me

 

pour the elixir into my mouth

through my hair

over my closed eyes

mellify me

 

I ask not for the ordinary

clover, acacia, fireweed, heather

but rather the extraordinary

mellify me

 

take my doom from the jar

and bathe me

then leave— but do not forget

you have mellified me

 

Pamela Olson, 8/8/10

 

For One Single Impression’s

prompt, “connoisseur”

Inspired by a NPR interview about

the process of mellification: embalming

by honey

Flood

one rain drop

f

a

l

l

s

the river rises.  first the shallows and hollows fill. the water creeps and creeps almost imperceptibly, then when the land is finally level, a sigh fills the trees.  branches bend down dipping their tips to drink but the water moves on sliding up the porch steps, folding itself under the door like some forgotten piece of mail.  they hear it slithering across the floor from the upstairs bedroom in the darkness.  the water moves toward the sofa and stuffed chair where he often sits, twining itself into the fabric and frame.  soon the house itself is level with all around it.  they find themselves swimming up from their bed and out the open window as the fish they once were.  the trees give themselves up to an underwater forest and then there is only water, water mirroring the blueness of the sky.

 

Pamela Olson, 8/6/10

 

For Big Tent Poetry’s prompt,

for a poem that “one that hopefully mixed up your recent writing life”

Talking in the Car With You

he said, I love how the alders look

pushed against the darkness of the firs

 

I’ve seen them lean along the road’s edge

falling into the light above the asphalt

 

trunks mottled gray with lichen

branches holding their triplicate cones

 

marginal trees—always on edge

shedding their tight-ridged leaves

into autumn’s sweet coolness

 

Pamela Olson, 8/3/10

Cocoon

O Moon

bound up

wrapped with

warp and weft

threads of silver

silk of mist

tossed skyward

from evening’s

field and pond

 

wrap me in your light

 

Pamela Olson, 8/1/10

 

For One Single Impression’s

prompt, “cocoon”

Michael

here is the angel you were named for

bright wings glowing in the dark

wings lifting wings lifting wings

 

here is the hot coal held in his hand

burning with the fire of the Other

the scent of incense rises

 

the coal is pressed against lips

— sanctification

preparation and purification

 

the prophet’s words are not his own

the angel rises silent above him

the Other speaks

 

speaks with the prophet’s tongue

with burnt lips— blistered and hot

the message is sent

 

the angel waits

facing the four winds

whose lips will be touched now?

 

Pamela Olson, 7/25/10

 

For One Single Impression’s

prompt, “Angel”

Moonwaters

I shall

go down

to the deep river, to the moonwaters,

where the shadows lie upon the riverbank

deeper than the night sky

hidden by boughs and leaves

 

moonlight fills the channel

cut sharp by floods

frog and fish wakes

illuminated

beware—sharp eyes

hide in the deep dark

 

moonwaters call from out of the shadows

restless dreams sent forth

”go down—go down”

go down to the intersection

of water, sky, and trees

go down to the light and darkness

 

down to the place where the moonwaters flow

 

Pamela Olson, 7/24/10

 

Inspired by A.R. Ammons’ poem, “River”

which begins, “I shall go down to the

deep river, to the moonwaters,”

for Big Tent Poetry’s prompt,

“write a poem inspired by

your favorite poem”

E-Books

your books are ethereal
floating on a cloud
of bits and bytes
flattened into dimensionless nothing
no fibers sliding between fingers and words
no scent of ink slipping loose from binding
where the crackle of glued binding never sounds
no matter how new the book is
the page edges never cut soft fingertips open
spilling drops of red life upon pages
that slide forward and backward in a breeze


your words float around unseen and unheard
until the on button is pushed
and the e-page fills with dream words
becoming and unbecoming in an electric sigh

 

Pam Olson, 7/18/10

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