Analysis & Commentary and Bela Tarr Rick on 26 Sep 2007
Werckmeister Harmonies
I must admit, I’m a sucker for a long take . . . I love the long crane shot that opens The Player, and that masterful Steadycam that follows Ray Liotta through the bar in Goodfellas. The opening shot of Werckmeister Harmonies is like that, it’s one long take, ten minutes twenty seconds, to be [...]





















