So. Here’s another list. This time, it’s a list of the top 100 foreign-language films of all time, as chosen and voted upon by bloggers and critics and film professors and plain old movie lovers like you and me. It’s called the The Satyajit Ray Memorial Anything-But-Definitive List of Non-English Language Films, for director Satyahit Ray, none of whose influential works made the list. Thus, I suppose, the “anything but definitive” designation. (I tried to participate in the 2nd round of voting, but got my time-frame screwed up and was too late).

The list was constructed in two steps: first, the list’s compiler Edward Copeland queried a bunch of bloggers, critics and other experts, asking for their top 25 foreign-language films. Then, all films that got 3 votes, were made in 2002 or earlier, and were feature-length non-documentaries were compiled into a list of nominees, then anyone was invited to vote for 25 of the nominees. This was the list that resulted; the one’s I’ve seen (61) are in bold.

  1. The Rules of the Game
  2. Seven Samurai
  3. M
  4. Bicycle Thieves
  5. Persona
  6. Grand Illusion
  7. Aguirre, Wrath of God
  8. The Battle of Algiers
  9. The 400 Blows
  10. Fanny and Alexander
  11. Tokyo Story
  12. Rashomon
  13. Ikiru
  14. The Seventh Seal
  15. Ran
  16. Jules and Jim
  17. The Conformist
  18. La Dolce Vita
  19. Contempt
  20. Breathless
  21. Ugetsu Monogatari
  22. Playtime
  23. Au Hasard Balthazar
  24. Andrei Rublev
  25. City of God
  26. In the Mood for Love
  27. The Leopard
  28. L’Avventura
  29. Wild Strawberries
  30. Le Samourai
  31. Belle de Jour
  32. Spirited Away
  33. Children of Paradise
  34. Beauty and the Beast
  35. The Discreet Charm of the Bourgeoisie
  36. L’Atlalante
  37. Nights of Cabiria
  38. Red
  39. The Wages of Fear
  40. Wings of Desire
  41. Cries and Whispers
  42. The Decalogue
  43. Yojimbo
  44. Pickpocket
  45. Sansho the Bailiff
  46. La Strada
  47. Late Spring
  48. Madame De . . .
  49. Raise the Red Lantern
  1. High and Low
  2. Umberto D
  3. Y Tu Mama Tambien
  4. Ordet
  5. Cinema Paradiso
  6. Yi Yi: A One and a Two
  7. L’Eclisse
  8. Talk to Her
  9. Rififi
  10. Band of Outsiders
  11. Crouching Tiger, Hidden Dragon
  12. Blue
  13. Chunking Express
  14. Throne of Blood
  15. The Umbrellas of Cherbourg
  16. Celine and Julie Go Boating
  17. Das Boot
  18. Army of Shadows
  19. Amarcord
  20. Last Year at Marienbad
  21. Hiroshima mon Amour
  22. Ali: Fear Eats the Soul
  23. Day for Night
  24. Eyes Without a Face
  25. My Night at Maud’s
  26. All About My Mother
  27. Scenes from a Marriage
  28. Open City
  29. Suspiria
  30. Smiles of a Summer Night
  31. Come and See
  32. Z
  33. Woman in the Dunes
  34. Masculin/Feminin
  35. Viridiana
  36. Amores Perros
  37. Pierrot le Fou
  38. Shoot the Piano Player
  39. Cleo from 5 to 7
  40. The Double Life of Veronique
  41. Forbidden Games
  42. Amelie
  43. The Blue Angel
  44. Orpheus
  45. Run Lola Run
  46. The Exterminating Angel
  47. Satantango
  48. The Gospel According to St. Matthew.
  49. Day of Wrath
  50. The Cranes are Flying

Interesting list. As someone said in a comment to the post that unveiled it, Criterion should be proud of how much it’s shaped the canon (canon, by the way, is simply Greek for list). The majority of this list (about 65%) have had a Criterion release.

It’s perhaps more accurate to note how much Janus Films has shaped it, because that distributor (the DVD arm of which is Criterion) rung in the art house revolution of the 60s and introduced Americans to the likes of Kurosawa, Bergman, Fellini and Truffaut. In fact, these four directors alone make up 23% of the list.

Personally, I’ve seen all of the films on the list from those directors. On the other hand, I’ve seen none of the Antonioni, Varda, Teshigahara, and only two of the Godard. Of my favorite directors, there’s only one Tarkovsky and one Tarr, and I haven’t seen the Tarr (the seven-and-a-half hour Satantango is not on DVD yet).

Is it reasonable to say that many of the recent films on the list are from Asia? There’s Wong Kar-Wai (In the Mood for Love and Chunking Express), Zhang Yimou (Raise the Red Lantern and To Live) and Ang Lee (Crouching Tiger, Hidden Dragon), but where’s Hou Hsiao-Hsien or Tsai Ming-Liang? It seems safe to say that patterns of distribution play a huge role in who makes the cut and who doesn’t.

And how did Run Lola Run make the list?