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	<title>Comments on: Of Aspect Ratios and New Wave Auteurs</title>
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	<link>http://coosacreek.org/mambo/2008/04/16/of-aspect-ratios-and-new-wave-auteurs/</link>
	<description>film, media and religion from the banks of Coosa Creek</description>
	<pubDate>Fri, 29 Aug 2008 07:07:12 +0000</pubDate>
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		<title>By: Joseph Campanella</title>
		<link>http://coosacreek.org/mambo/2008/04/16/of-aspect-ratios-and-new-wave-auteurs/#comment-563</link>
		<dc:creator>Joseph Campanella</dc:creator>
		<pubDate>Wed, 23 Apr 2008 18:09:23 +0000</pubDate>
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		<description>Great post Rick. 

I myself love THE 400 BLOWS, but have always been more partial to JULES AND JIM.

The one thing I love about these films though are their scope photography. It's just so cinematic and epic. I really think it lends a hand to a film like JULES AND JIM, considering most of the film, except for it's quick war montages, is shot inside homes and on patios. It makes these everyday things look, somehow, larger. 

Great post. And thanks for the comments!</description>
		<content:encoded><![CDATA[<p>Great post Rick. </p>
<p>I myself love THE 400 BLOWS, but have always been more partial to JULES AND JIM.</p>
<p>The one thing I love about these films though are their scope photography. It&#8217;s just so cinematic and epic. I really think it lends a hand to a film like JULES AND JIM, considering most of the film, except for it&#8217;s quick war montages, is shot inside homes and on patios. It makes these everyday things look, somehow, larger. </p>
<p>Great post. And thanks for the comments!</p>
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