Marilyn Ferdinand has a review of Errol Morris’ (right) new documentary on the Standard Operating Procedure, and a very thought-provoking interview with Morris here. After a rocky start, the interview makes telling points about the Abu Ghraib incidents and how our citizens deal with clear evidence of the wrong-doings of our government. Way to hang in there, Marilyn!

Matthew Lucas has a review of a much-maligned “new release” (it was made a couple of years ago) starring Al Pacino, who looked positively thrilled to be flogging it on Good Morning America this morning. Lucas says that the flick was released theatrically to spare Pacino the embarrassment of a direct-to-video offering. Judging from the reviews, I believe it.

Movie Zeal’s month-long Coen-fest continues with a great review of O Brother, Where Art Thou? If you haven’t yet, check out all the stuff at their site. And guys? My own contribution is almost done. Honest.

Norma Desmond is continuing her quixotic (did I spell that right?) quest to review 100 films in 100 days. Yesterday’s was Murnau’s Nosferatu, which some folks think is the best of the Dracula adaptations. (I actually prefer Herzog’s remake). Yesterday, Nosferatu; tomorrow the world! Who said movie bloggers were sane?

Pat Graham, at The Chicago Reader, has a contrarian reading (at least I think it’s contrarian) of Hou Hsiao-hsien that just might get your goat, if you’re a fan of Hou’s like me, that is. Provocative reading, which is just what Graham sought to create.

Speaking of Asian auteurs, Jim Emerson’s got a review on Roger Ebert’s site of Wong Kar Wai’s latest, Blueberry Nights, which the Weinstein brothers, in their infinite beneficence, have finally let some of us see. Jim’s not exactly enamored, leveling the common accusation that Wong’s films are merely pretty trifles. Could be, but I like ‘em anyway.