It’s Bernard Herrmann month on Turner Classic Movies, and though I’m nowhere near an expert on film scores, I do know Herrmann from John Williams, if only barely. And in the 1956 remake of The Man Who Knew Too Much, the composer does an Alfred Hitchcock: he appears, uncredited, in his own film. Only, where [...]
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We Have Means of Finding Out … On the Inside
It’s Bernard Herrmann month on Turner Classic Movies, and though I’m nowhere near an expert on film scores, I do know Herrmann from John Williams, if only barely. And in the 1956 remake of The Man Who Knew Too Much, the composer does an Alfred Hitchcock: he appears, uncredited, in his own film. Only, where [...]