Akira Kurosawa and Great Clips Rick on 04 Jul 2008
Composition and Mood: A Scene from Ikiru
Nobody was better at composing for the 4:3 frame than Akira Kurosawa. Like many of the directors of the day, he routinely used normal to slightly wide lenses; with the advent of widescreen, he abandoned them in favor of telephotos, and rarely looked back.
Here’s a scene from Ikiru (1952) that illustrates. The protagonist [...]




















