Archive for the 'Ingmar Bergman' Category

Bergman Parodista

Do you love Ingmar Bergman but would also love to see an affectionate send-up? Do you hate him, think his films are the most pompous pieces of flammable celluloid ever to haunt the planet? Feel just . . . feh! about him but have nothing else to do? Well, have I [...]

Ambiguity and Point of View in Fanny & Alexander

Way back in August of ‘07, after the death of Ingmar Bergman, Jonathan Rosenbaum launched an attack on his legacy. Of course, that was his right, and I appreciate Mr. Rosenbaum’s criticism . . . it goes beyond the synopsis-and-a-three-stars-style of many critics. But his attack, which seemed mean-spirited so soon after Bergman’s death, sparked [...]

Ingmar Bergman, 1918 - 2007

I’ve left off writing about Ingmar Bergman’s death for a week now. I kind of wanted to see how things would shake out in the press, and I guess it’s happened by now. We’ve seen both pans and praise, retrenchment and reassessment, and I’ll stop with the alliteration now, but the responses have run the [...]

Bergman’s Bleak Masterpiece

Ingmar Bergman’s Cries and Whispers is a long film. Not running-time long – it’s only 91 minutes. Not movie-time long either – it takes place over the span of only a few days. But psychologically, it’s a long film . . . at points in it you want it to end, already, [...]